U2
"These Georgians Are Crazy!"
Philips Arena, Atlanta, Georgia, USA, 2005-11-18
Taper: Steve Hendrix, Mastering: Jason Engel
Location: Lower level, Edge's side, near the tip of the Elipse.
Source/Lineage: Audio Technica Lavalier Mics > Sony M-1 > DAT master > Sony 600 > Optical cable > Pioneer stand-alone CD burner > CDR master > EAC secure (WAV) > Soundforge 8 (edits) > CD Wave (tracking) > Trader's Little Helper (FLAC)

Recording Info:
Mics set to flat response instead of bass roll-off.  DAT set to minus 20dbs in EP mode.

Mastering Info:
 - Each master CD contained one half of the concert as a single track, used EAC in secure mode to pull WAV files off the CDs.
 - Joined the two WAV files into one (required some splicing as there was overlap, you won't notice where).
 - Removed silence at start and end of WAV file, fade-in start, fade-out end.
 - Corrected a click in Elevation and one in Sunday Bloody Sunday.

Disc 1:
1.	Wake Up / Everyone
2.	City Of Blinding Lights
3.	Vertigo
4.	Elevation
5.	Beautiful Day
6.	I Still Haven't Found What I'm Looking For / In A Little While
7.	Mysterious Ways
8.	Original Of The Species
9.	Sometimes You Can't Make It On Your Own
10.	Love And Peace Or Else
11.	Sunday Bloody Sunday
12.	Bullet The Blue Sky
13.	Miss Sarajevo
14.	UN Declaration Of Human Rights

Disc 2:
1.	Pride (In The Name Of Love)
2.	Where The Streets Have No Name
3.	ONE Campaign Speech
4.	One
5.	Ol' Man River / First Encore Break
6.	Zoo Slots / Until The End Of The World
7.	The Fly
8.	With Or Without You
9.	Happy Birthday to Wendy / Second Encore Break
10.	Stuck In A Moment You Can't Get Out Of
11.	Yahweh
12.	Kudos to Daniel Lanois
13.	All Because Of You
14.	"40"

Jason's Comments:
This is a quiet recording, yet a very good one nonetheless.  I spent several days repeatedly working on this trying to boost the volume while avoiding clipping or compression, thinking that would improve it.  However, in the end I decided all you need to do is turn up the volume on the player; it sounds great once you crank it up a bit.  With all due respect, unlike the Mihn source of this concert, this one is complete, including the Human Rights Thingy and the entire Pride.  The audience behaves themselves for the most part, instruments are all clear and well represented, as are the vocals.